Fans of Star Trek TM were thrilled in 1987 to welcome the launch of a new series expanding the Trek universe: Star Trek: The Next Generation. Soon after, GNP Crescendo Records was equally excited to release Dennis McCarthy’s score for the opening two-hour pilot episode, “Encounter at Farpoint.” Now, GNP Crescendo is releasing an Expanded Collector’s Edition of that same pioneering score, including even more of McCarthy’s dramatic music, newly mixed and mastered from the original multi-track elements under the supervision of the composer.Continue after the jump for a full track list, plus a couple of behind the scenes videos for Star Trek music fans:
McCarthy—who has written more music for the franchise than any other composer—wrote over 40 minutes of brash and colorful music for “Encounter at Farpoint,” establishing the bright, dynamic style he would maintain throughout the show’s first season. He made frequent use of Alexander Courage’s iconic Star Trek fanfare, as well as a new, heroic theme for the captain of the U.S.S. Enterprise, Jean-Luc Picard. Typical of early Next Generation scores, the music manifests a post-Star Wars sound, symphonic and often reflective of the hammering rhythms and surging chords of Holst’s “Mars, the Bringer of War” from The Planets in its treatment of action and space battles.
As a bonus, this new CD also includes the world premiere release of McCarthy’s score to “The Arsenal of Freedom,” an action-packed episode from late in the first season. The CD concludes with several bonus and alternate cues from “Encounter at Farpoint”—including McCarthy’s unused main title theme (which was replaced with Jerry Goldsmith’s theme from Star Trek: The Motion Picture for the series). This latest release in GNP Crescendo’s continuing commitment to preserving the musical legacy of Star Trek includes a 16-page booklet with informative notes by Jeff Bond, author of The Music of Star Trek—incorporating comments from the composer.
Showing posts with label GNP Crescendo Records. Show all posts
Showing posts with label GNP Crescendo Records. Show all posts
Thursday, 13 February 2014
Encounter at Farpoint expanded soundtrack, and some other Trek-music bits
GNP Crescendo have announced their latest Star Trek soundtrack, their second expanded TNG TV release (following from The Best of Both Worlds last year), sees a more complete release of the Encounter at Farpoint soundtrack (fifteen tracks of which were released in 1988), plus tracks from The Arsenal of Freedom, as well as several unused pieces of music. Here's how GNP Crescendo describe the release:
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Saturday, 13 July 2013
Expanded Insurrection soundtrack on the way
GNP Crescendo have announced their latest release in the ongoing series of complete Star Trek soundtracks. Coming in August will be a newly expanded release of Jerry Goldsmith's music from Star Trek: Insurrection, with many tracks not included on the previous album, including alternative cues. Here's how GNP Crescendo describe the new release:
GNP Crescendo's new Expanded Collector's Edition of Goldsmith's complete score includes a half hour more music than the original 1998 CD, plus several alternates—for a total running time of over 79 minutes. The 16-page booklet, copiously illustrated with film stills, includes authoritative notes by Jeff Bond (author of The Music of Star Trek: Profiles in Style) and Lukas Kendall. A track-by-track analysis of the score and film by John Takis will be available online at gnpcrescendo.com/insurrection.And here's the track list, emboldened entries are new to this release:
1. Ba'ku Village - 6:53Just Nemesis and Into Darkness left until the entire expanded movie soundtrack collection in complete!
2. Out of Orbit/Take Us In - 1:44
3. Come Out - 2:34
4. In Custody - 1:14
5. Warp Capability/The Planet/Children's Story - 2:33
6. The Holodeck - 4:35
7. How Old Are You/New Sight - 6:14
8. Lost Ship/Prepare the Ship - 2:39
9. As Long as We Can - 1:40
10. Not Functioning/Send Your Ships - 2:55
11. Growing Up/Wild Flowers/Photon Torpedo - 2:55
12. The Drones Attack - 4:15
13. The Riker Maneuver - 3:15
14. Stay With Me - 1:48
15. The Same Race - 2:50
16. The Collector - 1:10
17. No Threat - 4:18
18. Tractor Beam - 0:38
19. The Healing Process (revised) - 5:04
20. The Healing Process (original version) - 7:17
21. End Credits - 5:30
Bonus Tracks:
22. Ba'ku Village (alternate ending) - 3:53
23. The Holodeck (alternate opening) - 1:12
24. Growing Up (alternate) - 1:21
25. Tractor Beam (alternate) - 0:38
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GNP Crescendo Records,
music,
TNG
Saturday, 11 May 2013
Details of The Best of Both Worlds soundtrack
Coming on May the 20th from GNP Crescendo is a new expanded edition of the The Best of Both Worlds soundtrack. GNP Crescendo have now added details of this release to their website. Here is their description of the album:
One of the undeniable highlights of television’s Star Trek: The Next GenerationTM (1997–1994) was the two-part episode, “The Best of Both Worlds” (the third-season cliffhanger and fourth-season opener). For composer Ron Jones, “The Best of Both Worlds” marked the apex of his impact on the first four seasons of Star Trek: The Next Generation—a thrillingly dynamic symphonic score that fits the episodes like a glove. Jones’s achievement was so popular that it became only the second Next Generation soundtrack album released at the time of production.Full track list after the jump. It adds up to just over fifty-five minutes of music. Bold tracks are new to this extended version of the soundtrack:
Although the complete score is infused with Jones’s customary musical craft, the composer’s chilling theme for the Borg, often voiced by eerie synthesized chorus, dominates “The Best of Both Worlds.” It forms the basis for some of the score’s exciting action-oriented material. In the episodes’ quieter moments, Jones’ scoring is subtle yet melodic, with colors and harmonies chosen to evoke emotion without overpowering the onscreen drama.
GNP Crescendo’s 1991 soundtrack album from “The Best of Both Worlds,” containing the major cues from both episodes, was enormously popular. This Expanded Collector’s Edition, licensed by CBS Consumer Products, features the complete scores, adding the shorter, transitional moments that contain at least one piece of important thematic material missing from the original album. The 16-page booklet contains notes on both production and music by Lukas Kendall and John Takis—based on interviews with Jones and other primary source material.
“The Best of Both Worlds” is a testament to Jones’s remarkable talent and creative imagination—and to the unconquerable human spirit that is the essence of Star Trek. The Expanded Collector’s Edition CD is available for preorder, shipping beginning May 20th.
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Monday, 29 April 2013
Expanded Best of Both Worlds soundtrack on the way
GNP Crescendo have announced their latest Star Trek expanded soundtrack release; coming mid-May will be a new release of Ron Jones' music from The Best of Both Worlds, timed as a companion to the new bluray release of the episodes maybe. They posted this cover artwork on Facebook:
The Best of Both Worlds is the only TNG episode other than Encounter at Farpoint to already have a stand-alone soundtrack release. A few more tracks from the two-parter were also released as part of The Ron Jones Project, a fourteen disc mammoth of a soundtrack collection dedicated to the composer. It will be interesting to see what this new collection offers in addition to those previous releases, but there are no details just yet.
The Best of Both Worlds is the only TNG episode other than Encounter at Farpoint to already have a stand-alone soundtrack release. A few more tracks from the two-parter were also released as part of The Ron Jones Project, a fourteen disc mammoth of a soundtrack collection dedicated to the composer. It will be interesting to see what this new collection offers in addition to those previous releases, but there are no details just yet.
Labels:
covers,
GNP Crescendo Records,
music,
TNG
Wednesday, 16 January 2013
Soundtrack update
I'm a bit behind on my coverage of Star Trek soundtracks since my last mention of them, back in August! Since then there have been two new releases, and one of those is the biggest most comprehensive release in all of Star Trek soundtrack history - The Star Trek: The Original Series Soundtrack Collection, which includes all the music from the entire original series, including pieces that weren't even used in the episodes! The set is split up by season, each with accompanying notes, plus a fourth booklet with further information about all the music. Here's what it all looks like:
You can see a full track listing, and listen to many samples, on La La Land's website. The set has been out since December, and is limited to 6000 copies. Just prior to release TrekCore ran two interviews, with producers Lukas Kendall and Neil S. Bulk. The team behind the set went to some effort finding the right recordings of each piece of music, to make sure they are the takes actually used on-screen. Kendall explained what is and isn't included on the set:
That leaves just two films remaining to get the full soundtrack treatment. Insurrection, and my favourite Trek soundtrack of them all, Nemesis. Kendall spoke about both of these in his TrekCore interview on the TOS set. On Insurrection:
You can see a full track listing, and listen to many samples, on La La Land's website. The set has been out since December, and is limited to 6000 copies. Just prior to release TrekCore ran two interviews, with producers Lukas Kendall and Neil S. Bulk. The team behind the set went to some effort finding the right recordings of each piece of music, to make sure they are the takes actually used on-screen. Kendall explained what is and isn't included on the set:
We included every original recording that we had that was considered a master take. When they’re recording any piece of music they’ll do Take #1, Take #2, Take #3 and so on until they get it right. In rare cases they may use an earlier take because they could not improve on that performance. We made a point to include every recorded master take, or “intercut” combination thereof, that was considered by the production to be the definitive recording of that composition. There were instances at the beginning of Seasons 2 and 3 where they had a recording session where they did new performances of earlier compositions which were then expressly used for library purposes. We made a point to include all of those re-recordings of the earlier music, but it was very easily identifiable what was original or not.What those recordings include are some extra pieces of music that weren't used on screen at all, as Bulk explains:
The big bombshell was that not only was “City on the Edge of Forever” recorded in Stereo, but Fred Steiner composed music that was never used in Star Trek. Not only have we got the best episode with the best sound, he wrote stuff you’ve never heard! He wrote this whole piece of music where Captain Kirk steals the clothes, but I’m guessing the scene was recut or changed because it doesn’t match properly. There were so many instances where music was dropped from an episode.
What was really cool with Nichelle’s “Beyond Antares” from “The Conscience of the King” is that it was cut down in the episode. We have the full song on the set, on three tracks – harp, voice and a blank channel. We have it all, and when I was lining it up I was shocked!Kendall also explained how he hopes the set will be received:
I hope people will be very happy. I think it will be a lovely collectible, and I think that there will be a certain ‘binge’ attitude which I experienced personally as far as wanting to listen and devour all of the music. To finally—after so many decades after hearing the tracks behind sound effects and dialogue—to hear it un-obscured and listen to all the lovely details in the music, to have this experience for the first time will be a special moment.The other new recent release was the latest in the expanded Star Trek movie soundtrack collection; Dennis McCarthy's Generations. StarTrek.com detailed the contents of this October release:
Disc one includes the full film score, including music for a sequence dropped from the finished film, while disc two offers a remastered version of the 1994 GNP soundtrack album (along with its innovative sound effects library)And here's what it looked like:
That leaves just two films remaining to get the full soundtrack treatment. Insurrection, and my favourite Trek soundtrack of them all, Nemesis. Kendall spoke about both of these in his TrekCore interview on the TOS set. On Insurrection:
I have to be a little cheeky and neither confirm nor deny any such plans, because I have to be aware of GNP/Crescendo’s prerogative to either announce or not announce what they wish to.And on Nemesis, coming from Varèse Sarabande:
I know the producer there—Bob Townson—is devoted to Jerry Goldsmith’s music. I know he’s also an excellent producer, he’s certainly someone who’s done far more work in the field than I have and whose career in the field predates mine by several years. I would be very optimistic that he’s aware of the interest in the title. Whether he does it or not is not for me to say.In his interview Bulk also talked about TAS, although that sounds less promising:
The story is that that is lost. But, I’ve been doing this type of work for a while and sometimes things that are lost suddenly aren’t lost. I have no knowledge, I know nothing about an Animated Series project happening – but I’d love it, it’s very cool music.Both producers commented on the DS9 set coming from La La Land soon, at the time of the interviews it was expected to be out this January. Bulk outlined the set:
I think it’s a “Best Of” compilation. It’s a 4-Disc set, and I think they went through and cherry-picked from all the seasons.While Kendall elaborated:
I’m very happy with these releases, I consulted on them. The producer who has been most involved with that (and La-La Land’s Next Generation set) is Ford Thaxton. He knows the scores by Dennis McCarthy and Jay Chattaway much better than I do and I trust his judgment when it comes to selecting the episodes and cues to put on the album. With modern day Star Trek series, there’s a much larger quantity of music that was recorded because they did an original score for each and every episode. I tried with the Ron Jones box set to present every single note, but it became a very large set that was probably not cost effective, it was just something I personally wanted to do because I was passionate about Ron’s music. In the case of the newer Star Trek series and the composers who did many more episodes than Ron did, by necessity we have to excerpt their work. I trust Ford to make the best selections for the collections.On top of those we should also have an all new soundtrack for Star Trek Into Darkness to look forward to.
Labels:
GNP Crescendo Records,
La La Land,
movies,
music,
TNG,
TOS
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